With Ádám Fischer, we take an uncompromising approach
Róbert Szatmári’s interview explores music-making with Ádám Fischer and the organisation of the Danish Chamber Orchestra. Alongside the Beethoven recordings, it considers the musicians’ responsibilities and the development of the ensemble’s distinctive sound.
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The occasion is a New Year performance of Haydn’s The Creation. The discussion also explains how the musicians preserved the orchestra after radio funding ended and what ownership by its members entails.
Editorial summary; the original publication is linked above.