Haydn: Symphonies Nos. 93–95
Misha Donat’s four-star review considers the recording of Haydn’s Symphonies Nos. 93–95. He highlights the Danish Chamber Orchestra and Ádám Fischer’s distinctive string articulation, dynamic contrasts and dramatic shaping.
About the article
In No. 94, the finale’s string passages and phrasing receive attention; in No. 95, the focus falls on the opening movement’s drama and the clarity of the fugal finale. These observations identify specific interpretative choices.
Editorial summary; the original publication is linked above.