Haydn: Late Symphonies, Vol. 2
Daniel Floyd highlights clear articulation and natural pacing in the recording of Symphonies Nos. 96–98. In Ádám Fischer and the Danish Chamber Orchestra’s playing, he hears historically informed practice combined with expressive commitment.
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The detailed discussion considers the dance character of the minuets, the movement within slow sections and the vitality of the finales. Floyd finds the tempo choices consistent and grounded in the score.
Editorial summary; the original publication is linked above.