I’ve lived in this world since before I was born
This interview explores the connection between chamber-music thinking and the role of concertmaster. Péter Mező discusses his early years with Danubia, the challenges of Mendelssohn’s Octet and shared decisions within the Accord Quartet.
About the article
Attentive curiosity and flexibility emerge as central to musical development. Alongside the quartet’s sustained collaboration, the conversation touches on teaching and its Bartók series in Ravenna.
Editorial summary; the original publication is linked above.