Mozart X Jazz
Mozart’s final piano concerto appears in a jazz reworking on the joint recording by the Áron Tálas Trio and the Danubia Orchestra. The article introduces an approach rooted in the rhythmic and harmonic turns of K. 595.
Read moreInterviews · reviews · conversations
Press.
Conversations about string quartets, Ádám Fischer, recording and orchestral performances.
The linked articles and interviews are in Hungarian. Their titles are translated below; the original publications are unchanged.
Haydn: Late Symphonies, Vol. 2
Daniel Floyd highlights clear articulation and natural pacing in the recording of Symphonies Nos. 96–98. In Ádám Fischer and the Danish Chamber Orchestra’s playing, he hears historically informed practice combined with expressive commitment.
Read moreHaydn: Late Symphonies, Vol. 2
Ralph Moore highlights the Danish Chamber Orchestra’s woodwinds, agile strings and flexibility. His review of Haydn’s Symphonies Nos. 96–98 follows the handling of changes in character and rhythmic detail.
Read moreRadio interview on the Accord Quartet’s Haydn recording
This Papageno Klasszik programme features the Accord Quartet’s recording of Haydn’s Op. 20 Sun Quartets. The set also marks the ensemble’s beginnings: the musicians played through all six quartets at their first rehearsal in 2001.
Read moreHaydn: Symphonies Nos. 93–95
Misha Donat’s four-star review considers the recording of Haydn’s Symphonies Nos. 93–95. He highlights the Danish Chamber Orchestra and Ádám Fischer’s distinctive string articulation, dynamic contrasts and dramatic shaping.
Read moreWith Ádám Fischer, we take an uncompromising approach
Róbert Szatmári’s interview explores music-making with Ádám Fischer and the organisation of the Danish Chamber Orchestra. Alongside the Beethoven recordings, it considers the musicians’ responsibilities and the development of the ensemble’s distinctive sound.
Read moreHow life worked out
Ádám Fischer, Dóra Seres, Sándor Berki and Péter Mező discuss the Danish Chamber Orchestra’s complete Beethoven recordings and shared approach to performance. They consider how studying an entire symphonic cycle changes the understanding of individual works.
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